Edizione e traduzione italiana della Questio de aqua et terra di Dante Alighieri.

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Dante's Convivio, composed in exile between 1304 and 1307, is a series of self-commentaries on three of Dante's long poems. These allegorical love poems and philosophical verse become the basis for philosophical, literary, moral, and political exposition. The prose is written in Italian so that those who were not educated in Latin could take part in what Dante called his 'banquet of knowledge'. In this edition, eminent Dante translator-scholar Andrew Frisardi offers the first fully annotated translation (...) of the work into English, with an extensive introduction, making Dante's often complex writings accessible to scholars and students. The parallel Italian text is also included for the first time in an English translation of the Convivio. Readers of this work can gain a strong understanding of the philosophical themes across Dante's work, including the Divine Comedy, as well as the logic, politics and science of his time. (shrink)

Vita Nuova is the first of Dante's major writings. It is a supreme work of love; thirty-one poems are linked by a lyrical prose narrative poem celebrating and debating the subject of love. In the opening chapter Dante sets himself the task of giving meaning to the poetry which he composed and the events which took place after his meeting with Beatrice and the `Lord of Love'. The `new life' which this meeting inspired is the subject of (...) class='Hi'>Dante's most profound creation, which has been read variously as biography, religious allegory, and a meditation on poetry itself. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. (shrink)

In dieser Schrift begründet Dante die Priorität der Volks- und Muttersprache vor der lateinischen Gelehrtensprache und fordert eine italienische Hochsprache. Er untermauert seine Ausführungen durch eine anthropologische Erörterung der menschlichen Sprachfähigkeit. Dank einer originellen Interpretation des biblischen Mythos vom Turmbau von Babel legt er eine vernünftig begründete Neubewertung der Vielfalt und der historischen Entwicklung der Sprachen vor. Das Problem der Sprache stellt sich im Denken Dantes in zweifacher Weise: als Problem der Sprache der Philosophie und unter dem Gesichtspunkt der (...) Philosophie der Sprache. In "De vulgari eloquentia" bietet Dante ein ganzes Arsenal metaphysischer Paradigmen auf, um der sprachlichen Verständigung der Menschen eine unvordenkliche Dignität zu geben. Er stellt die gesamte Philosophie in den Dienst des Menschen als sprechendes Wesen. Auch wenn Dante die Doppelbestimmung der Sprache als sinnliches Zeichen, das den Gedanken des einen Menschen einem andern zu vermitteln fähig ist, von der Tradition übernimmt, setzt er andere Akzente. Die Sprache der Menschen ist nicht nur eine im Vergleich zur Transparenz der reinen Geister unvollkommenere Form der Kommunikation, sondern sie wird positiv als die dem Menschen gänzlich angemessene und entsprechende Form der Kommunikation interpretiert: Das Sprechen ist der "herausragende Akt des menschlichen Geschlechts". Mit dem Erscheinen von "De vulgari eloquentia" liegt die vierbändige Ausgabe der Philosophischen Werke Dante Alighieris vollständig vor. Bislang erschienen Bd. 1: Das Schreiben an Cangrande (PhB 463) Bd. 2: Disputation über das Wasser und die Erde (PhB 464) Bd. 4: Das Gastmahl I-IV (PhB 466a-d). (shrink)

Im zweiten Buch kommentiert Dante das Gedicht "Voi che 'ntendendo il terzo ciel movete". Während er in der buchstäblichen Auslegung die Geschichte seiner zwei großen Lieben erzählt und eine eindrückliche Darstellung des astronomischen Wissens seiner Zeit gibt, wird in der allegorischen Auslegung eine der besungenen Frauen mit der Philosophie identifiziert. Durch diese Reinterpretation wird das Liebesgedicht zu einer enzyklopädischen Darstellung des mittelalterlichen Wissenschaftssystems.

Im vierten und letzten Buch, mit dem die Edition des "Convivio" abgeschlossen ist, interpretiert Dante sein Gedicht "Le dolci rime d'amor ch' i' solia" und erörtert die komplexe Frage der wahren Edelkeit. In diesem Rahmen diskutiert er den Umfang der kaiserlicher Macht und die Bedeutung des Römischen Reiches sowie das Verhältnis von Philosophie und Politik bzw. von philosophischer und politischer Kompetenz.Die Bewertung des Römischen Reiches und die Erörterung der Autorität des Aristoteles für die Philosophie und das menschliche Denken schlechthin (...) implizieren eine Stellungnahme zur Beziehung zwischen christlicher und antik-heidnischer Weltauffassung. (shrink)

In der Beantwortung der für das geozentrische Weltbild aristotelisch-ptolemäischer Prägung zentralen Frage, welches der Elemente höher liege, legt Dante in gut scholastischer Argumentationsweise seine kosmologischen Auffassungen dar. In der ausführlichen Einleitung wird die Naturphilosophie Dantes in ihren historischen Kontext eingebunden und bewertet.

Das dritte Buch ist dem Lob der Philosophie gewidmet und beinhaltet eine Glückseligkeitslehre. Im Anschluß an die Erörterungen des Namens und die Bestimmung der wahren Philosophie entwickelt Dante eine Konzeption, wonach die Gott eigene Erkenntnis als Erkenntnis der Dinge in ihm selbst, insofern er deren Ursache ist, ebenfalls als Philosophie zu gelten hat.

In seinem Schreiben an den Fürsten Cangrande behandelt Dante literaturhistorisch relevante Fragen, wie z. B. jene nach den Bedeutungsebenen seiner "Commedia". In den Ausführungen zur Frage nach der gegenseitigen Abhängigkeit von Sein und Wesen oder bei der Erklärung des zehnten Himmels, dem sog. Empyreum, legt Dante zudem auch in philosophischen und theologischen Fragekomplexen eigenständige Antworten vor.

Im ersten Buch des Convivio erläutert und verteidigt Dante sein Vorhaben. Es bietet den Zugang zu den nachfolgenden drei Büchern, in denen er zur inhaltlichen Vorstellung seiner Philosophie fortschreitet.

The Monarchia, Dante's treatise on political theory, addresses the fundamental question of what form of political organisation best suits human nature; it embodies a political vision of startling originality and power, and illuminates the intellectual interests and achievements of one of the world's great poets. The whole text is here presented in a new translation, the first for forty years, based on a more up-to-date and scholarly version of the Latin original than has previously been available. The translation, together (...) with accompanying introduction and notes, has been prepared by Prue Shaw. In this new and accessible form, the Monarchia will interest not only Dante specialists, but also students of literary studies, political history and philosophy. (shrink)

This paper interprets the philosophical and poetic legacy of Dante Alighieri in the context of the crises he experienced in his life. Dante went through the number of experiences during his lifetime which were significant to his understanding of himself and the world. Such a very personal trial he had to deal with was his unrequited love for Beatrice Portinari, and, especially, her death at a young age. In addition, a very difficult period in his life was (...) his political activity and public service in his native Florence, which led to his entanglement in the conflict between the factions of Guelphs and Ghibellines, and to his exile from Florence which lasted until the end of his life. These events can be described as “the crises” of the Florentine poet, because they were the turning points in his life, which required him to make some important decisions. The word “crisis”, according to its Greek etymology, signifies the decision making process which changes the way of thinking and the style of living. In this article, a thesis is proposed that Alighieri’s work can be interpreted and understood as an expression of the crises he was going through, but above all, as the way of coming out of crisis, which is expressed by taking thoughtful existential decisions. The Italian poet was also an excellent philosopher, as evidenced by his philosophical treatises and poetic works, for he was able to combine the principles of medieval scholastic philosophy with his poetry. Philosophy also played a significantly positive role in his life and contributed to his hopeful and optimistic worldview and perception of man, what constitutes the fundamental and timeless message of his work. (shrink)

Dante’s engagement with philosophy cannot be studied apart from his vocation as a writer, in which he sought to raise the level of public discourse by educating his countrymen and inspiring them to pursue happiness in the contemplative life. He was one of the most learned Italian laymen of his day, intimately familiar with Aristotelian logic and natural philosophy, theology, and classical literature. He is, of course,most famous for having written the Divine Comedy, but in his poetry as well (...) as his philosophical treatises and other writings, he freely mingles and synthesizes philosophical and theological language as well extensive references and allusions to scripture and classical and contemporary poetry. While his contributions to world literature and other artistic genres are universally acknowledged, his theological imagination has also remained influential from his own time to the present day. His philosophical legacy, by comparison, remains more difficult to assess, though his writings provide, at the very least, a powerful tool for the study of the landscape of late medieval and Renaissance philosophy. (shrink)

Lo storico della filosofia e filosofo francese Étienne Gilson (1884-1978) ha notoriamente offerto una lettura innovativa di importanti figure del pensiero medievale, da Tommaso d’Aquino a Duns Scoto e Bonaventura, includendo in questa lista anche Agostino di Ippona. L’originalità della lettura offerta da Gilson si esprime per lo meno in due modi. In primo luogo, Gilson ha argomentato a sostegno dell’effettiva caratura filosofica, e non semplicemente teologica, del pensiero di quei pensatori. Contro un pesante pregiudizio che all’epoca in cui egli (...) iniziava le sue ricerche, e specialmente nella sua Francia, gravava nei confronti della cultura medioevale – di non aver espresso alcuna filosofia ma solo una teologia – egli acquisì «il merito di aver non solo iniziato genialmente la riscoperta della filosofia medievale, ma di aver decisamente contribuito a riportarne la storia ai livelli della scientificità e della dignità accademica». In secondo luogo, Gilson ha sostenuto che la filosofia in questione si caratterizza di uno «spirito cristiano» che, come aveva caratterizzato l’epoca medievale sotto ogni altro aspetto, ne aveva informato il pensiero filosofico, dando vita a una vera e propria «filosofia cristiana». Ma se questo significa che, per il filosofo francese, si dava un elemento di caratterizzazione unitaria del pensiero medievale, va anche rilevato che, per lo stesso autore, questo pensiero andava indagato nella sua notevole varietà. Con competenza e lettura fedele dei testi, Gilson valorizzò le differenze tra le filosofie dei vari autori presi in considerazione. In questo articolo, intendo mostrare che queste due caratteristiche dell’interpretazione gilsoniana del pensiero medievale si applicano entrambe all’interpretazione che il filosofo francese offrì del pensiero di Dante Alighieri. In primo luogo, Gilson ha riconosciuto anche a Dante, come al pensiero medievale tutto, una caratura specificamente filosofica. In secondo luogo, della filosofia del sommo poeta (che Gilson riteneva anch’essa ‘cristiana’) ha evidenziato la peculiarità, sganciandola dalle classificazioni che la volevano ridurre a qualcuna delle correnti filosofiche del Duecento. Il fine che mi propongo è quello di mostrare (nella prima sezione) in che cosa consista questa peculiarità, per poi procedere (nelle successive tre sezioni) a rilevare che essa conduce Gilson a una coerente interpretazione di Dante filosofo secondo tre direttrici: quella etica, quella politica e quella filosofico-storica. (shrink)

Este trabajo presenta con bastante detalle y examina críticamente las posturas historiográficas de dos intelectuales que vivieron en la primera mitad del siglo XX: Francesco Ercole y Bruno Nardi. Estos intelectuales italianos, especialistas en el pensamiento de Dante Alighieri y en particular en su filosofía política, desarrollaron sus respectivos análisis estudiando la articulación entre dos conceptos esenciales en la elaboración de las teorías políticas que surgieron entre el siglo XIII y XIV en el Occidente Latino. En efecto, esas (...) nociones son “naturaleza” y “fin”. Uno de los objetivos de este artículo es mostrar que, en el marco de la teoría política presentada por Dante en Monarchia y Convivio, la operatividad de estas ideas resulta fundamental para definir en qué consiste la autonomía de una comunidad respecto de los poderes políticos con los que se relaciona. (shrink)

En este artículo se pretenden reconstruir las premisas fundamentales del pensamiento político de Dante, que plantea una nueva concepción de la relación entre Iglesia e Imperio. En particular, se señalan tres ideas fundamentales: la ciencia como perfección última del alma humana; la operación propia del género humano en la actuación de toda la potencia del intelecto posible; y, por último, la cuestión del fin natural y sobrenatural del hombre. A continuación, se analiza la presencia de la interpretación del aristotelismo (...) de la Facultad de Artes de la Universidad de París y del averroísmo presente en el planteamiento dantesco, en particular haciendo referencia a las diferentes interpretaciones de Gilson y Nardi. Finalmente, se proponen como clave de interpretación global del pensamiento político dantesco la cuestión del traspaso de las llaves de Jesús a Pedro y la relación entre naturaleza y gracia en disonancia con la interpretación de Tomás de Aquino. (shrink)

Este trabajo sostiene que Egidio Romano y Dante Alighieri han utilizado el Liber de Causis como fuentede sus tratados de filosofía política. Asimismo, ambos autores han trasladado al ámbito político el modelode causalidad neoplatónico para defender tesis opuestas respecto del problema de la autonomía de los poderesespiritual y temporal. Mientras que, para fundamentar la intervención directa del papa en los asuntosdel poder temporal, Egidio postula la anulación de las causas segundas que actúan sobre la realidad; en la teoríade (...) Dante sobre el imperio, la no cancelación de los poderes intermedios entre el emperador y los súbditospermite establecer conceptualmente una cierta autonomía del poder temporal respecto del espiritual.This paper argues that the Liber de Causis was a source for both Egidio Romano`s and Dante Alighieri`s philosophical and political treatises. Both authors used a Neoplatonic model of causality in orderto sustein opposite theories on the relationship between temporal and spiritual powers. Egidio bases thedirect intervention of the pope in temporalibus on the annulment of the second causes which operate inCreation. On the contrary, in Dante`s political theory, the intermediary powers between the emperor and the subjects are precisely that which allows —from a theoretical point of view— a certain independence of the temporal power from the spiritual one. (shrink)

wledge, including philosophy, theology and literature. The concept of time has deep roots in human history and is related to many complex questions, such as the nature of time, its relation to eternity and human existence. In this context, comparing the concepts of time of different authors can help to understand the diversity of views on this phenomenon and its significance in culture and history.This article examines the concepts of time and eternity in the works of two outstanding authors - (...) Origen and Dante. Both of these authors have a significant impact on the culture and spiritual heritage of the world, and their views on time and eternity attract the attention of researchers from various fields. The purpose of the article is an attempt to compare and analyze the concepts of time and eternity in the works of Origen and Dante in order to better understand their views and their influence on culture and spiritual tradition.Through the analysis and comparison of the two authors’ theological-philosophical concept of eternity, we also identify the way of participation in eternity through which man opens the way to his eternal permanence.The study of time and eternity is of constant relevance because it addresses fundamental questions about the nature of existence, the meaning of life, and the ultimate destiny of humanity. By studying the thoughts of Origen, an early Christian theologian, and Dante Alighieri, a medieval poet, we gain a deeper understanding of the evolution of these concepts and their significance in different intellectual and cultural contexts. This comparative analysis sheds light on timeless and universal aspects of time and eternity that transcend historical and cultural boundaries. (shrink)